Death of a Salesman
Willy Loman is the 99%. That’s the thought that was running through my mind (and continues to) while I watched this starry revival of the Arthur Miller Pulitzer Prize-winning classic Death of a Salesman . We’re all familiar with the story, right? Willy Loman (Philip Seymour Hoffman) is a down-on-his-luck salesman who is trying to support his wife, Linda (Linda Emond). They have two adult sons, Biff (Andrew Garfield) and Happy (Finn Wittrock), both of whom happen to be staying with their parents at the start of the play. Willy and Biff have an estranged and complicated relationship, which provides never-ending stress for Linda. Fathers and sons. Biff’s whole arc revolves around trying to not be like his father. He’s trying, somewhat desperately, to be his own man, disillusioned by the father whom he once idolized but has nevertheless let him down. He doesn’t want to end up like Willy, but he does want something from life – if only he could figure out what. Indeed, the most compellin...