Year in Review 2015
![Image](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6aO8TjQEoGhzDvOt7_r8kO1GWJf8GUTQo15nGbCwAcSq4bDv_6tF3SxvSbilmbM0tp2o4uWzco510yRZTdAQzXtzHgEJlgJB7gBC_0aS2tGFqqrHoSMlVsvYt2CFiDnGxRx-LiH_NUEmp/s320/2015.jpg)
As we close out 2015, please enjoy this Year in Review. An American in Paris —This gorgeous, lush production was everything I wanted it to be. Leading up to its Broadway bow, I kept saying, "It's Gershwin. It's Christopher Wheeldon. It's Robbie Fairchild." I was so excited, and I couldn't wait to see it (to wit: I was at the first preview). And it was fantastic. The Gershwin score , which includes well-known tunes, like the titular theme and "I've Got Rhythm," as well as lesser-known ditties, like "Liza," is enhanced by Christopher Austin , Don Sebesky , and Bill Elliot 's Tony-winning orchestrations. The peerless Christopher Wheeldon 's Tony-winning choreography thrilled, beautifully welcoming ballet back to Broadway. And Robert Fairchild 's Tony-nominated performance established him as a true triple-threat. He dazzles as he shows Broadway audiences his signature Robbie Fairchild flair. But beyond what I was alrea