The Fortress of Solitude
I was enjoying The Fortress of Solitude as I was watching it. Actually, I was enjoying it before the performance began, looking at the tagged scrim that served as a curtain (scenic design by Eugene Lee ) and at the cultural timeline provided in the Playbill. The show began and I was struck by the harmonies and different but blended songs the talented cast was singing (music direction by Kimberly Grigsby ). I continued to be in awe of some of the performances, the natural dialogue (book by Itamar Moses ), the terrific pastiche score (by Michael Friedman ). But as the adaptation of the Jonathan Lethem novel, directed by Daniel Aukin ( Bad Jews ), came to an end and then once it was over, I thought, "That's all?" It wasn't so much that the ending came too quickly (although, it sort of did); rather, it was that the ending left too much unexplored. Though the creative team and the company made a valiant effort, it would appear that the parts are greater than their su...