The Unavoidable Disappearance of Tom Durnin
The Unavoidable Disappearance of Tom Durnin is good. I liked it. But there is nothing overwhelmingly amazing about it, except for the accurate if clumsy title. The new play by Steven Levenson is having its world premiere run at Roundabout, where Levenson’s The Language of Trees was a hit in its Underground series. For an emerging playwright, there is a lot to praise and much potential. I don’t have anything disparaging to say but I also don’t feel moved to be effusive in my praise. Tom Durnin focuses on a relevant if oft-overlooked topic. Financial crimes are almost old hat by now (maybe particularly for jaded New York audiences) but what about the indirect victims? Levenson centers his play on those people. At rise, the titular Tom Durnin (David Morse) pays an unexpected and unwelcome visit his son, James (Christopher Denham), after being released from a “country club” prison, having served time for a white collar crime. Throughout the play, we watch Tom manipulate ever...